William Shakespeare · King Lear, Act 1, Scene 2. 165 spoken words · approximately 75–120 seconds. Blank verse.
At a glance
- Character: Edmund — Male character.
- Useful for: Older teens and adults.
- Rehearsal challenge: Intermediate to advanced: argument, status and a revealed plan.
- Text: The complete uninterrupted speech identified below, extracted from the public-domain source edition. It is one speech within a longer play.
Timing is an estimate, not an audition guarantee. Time your own delivery with pauses and reactions. The character description explains the play; actors of any gender may explore the role in practice, subject to the requirements of a particular production or audition.
What happens immediately before this speech?
Edmund is Gloucester's son, born outside marriage; Edgar has the legal status Edmund lacks. Alone at the start of this scene, Edmund argues that his body and mind are no less worthy than his brother's. He then reveals a scheme involving a letter. When Gloucester enters, Edmund uses that letter to begin turning their father against Edgar.
Speaking to: Nature, the gods and himself; the audience can become a confidant to the emerging plan.
What the character wants: Replace an inherited judgment of inferiority with a claim to power and property.
A change to explore: A protest against unfair custom becomes an intention to dispossess a particular brother.
The complete speech
Edmund · King Lear, Act 1, Scene 2
Thou, nature, art my goddess; to thy law
My services are bound. Wherefore should I
Stand in the plague of custom, and permit
The curiosity of nations to deprive me,
For that I am some twelve or fourteen moon-shines
Lag of a brother? Why bastard? wherefore base?
When my dimensions are as well compact,
My mind as generous, and my shape as true,
As honest madam's issue? Why brand they us
With base? with baseness? bastardy? base, base?
Who, in the lusty stealth of nature, take
More composition and fierce quality
Than doth, within a dull, stale, tired bed,
Go to the creating a whole tribe of fops,
Got 'tween asleep and wake? Well, then,
Legitimate Edgar, I must have your land:
Our father's love is to the bastard Edmund
As to the legitimate: fine word,–legitimate!
Well, my legitimate, if this letter speed,
And my invention thrive, Edmund the base
Shall top the legitimate. I grow; I prosper:
Now, gods, stand up for bastards!
Source: King Lear, Act 1, Scene 2 in MIT’s Complete Works of Shakespeare. The spoken wording follows that edition; stage directions are omitted. Verse line breaks are retained. Prose is displayed as a paragraph. Other editions may differ in spelling, punctuation or line division.
The thought in plain English
I will follow nature instead of social rules. Why should being younger and born outside marriage make me less valuable? I have the same abilities as a legitimate son. I will take Edgar's land. If the letter and my scheme succeed, the person called base will rise above the legitimate heir.
This CueRoom paraphrase is a study aid. The rehearsal demo uses Shakespeare’s wording above.
Words and phrases to understand
- curiosity of nations
- The overly exact rules or conventions of societies.
- moon-shines
- Months.
- base
- Low-born or inferior; Edmund presses the repeated label.
- generous
- Noble in quality here, rather than simply giving.
- if this letter speed
- If this letter succeeds in its purpose.
Acting questions
- Whose judgment are you answering when you repeat the labels placed on you?
- What does calling nature a goddess allow you to reject?
- When does Edgar become a person you will hurt rather than a symbol of the rules?
- What risk lies underneath the confidence of the final appeal?
A rehearsal experiment
Make the opening argument convincing without signaling villainy. Then let the mention of Edgar's land and the letter reveal the practical cost of the argument. Try the final call as an appeal for help and as a declaration that success is already underway.
Keep the scene playable
The speech includes sexual references and repeated language about birth outside marriage. Edmund's grievance and the harm he chooses are both part of the scene. Preserving that tension gives more to act than a single generalized mood of anger.
Rehearse Edmund’s monologue free in CueRoom
The real rehearsal app opens with this exact speech divided into 6 thought beats. Choose Practice my lines to recall each beat, or Listen to the recording to hear the prepared reading. Prompt plays the current beat; bookmarks help you return to a difficult transition.
No account, purchase or replay credits required. The Studio reading is recorded once. Unlimited replays and prompts use those saved files.
Fixed text and voice; changes stay in this tab. Manual advance and timed hands-free practice are available. Voice Control depends on browser support and optional microphone permission. The reading offers one interpretation, not an authoritative pronunciation or performance guide.
How to memorize this speech
Follow the change from principle to plan: nature's law, the social label, the comparison of abilities, the attack on legitimacy, Edgar's land, the letter and the final appeal. Practice the exact repetitions instead of smoothing them into a paraphrase.
Try recalling a beat before revealing it, check the exact wording, and then connect it to the following beat. Once the sequence holds, run the whole speech with a listener and intention. Use the monologue preparation plan for a short deadline or the line-learning guide for a longer rehearsal routine.
Choosing it for an audition or class
An intense selection with adult themes. Read the following letter scene so the reference to Edmund's invention has a concrete meaning.
Read the surrounding scene and check the audition’s period, duration and edition requirements. Make any permitted cut before learning it. This public demo always uses the complete selected speech shown above.
Related Shakespeare monologues
- Henry V: Once more unto the breach — Outside Harfleur, Henry urges his soldiers to return to the breach and turn fear into action.
- Portia: The quality of mercy is not strain'd — In the courtroom, Portia asks Shylock to temper his legal claim against Antonio with mercy.
- Jaques: All the world's a stage — Jaques answers the Duke's image of the world as a theatre by describing a human life as seven roles.
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Text and rehearsal-note credits
Speech by William Shakespeare. MIT states that its HTML Shakespeare texts are placed in the public domain. Selection, context, plain-English explanation and rehearsal exercises on this page are prepared for CueRoom. The Shakespeare text is not an original CueRoom monologue or a modern copyrighted edition.
Compare this male Shakespeare character with contemporary originals in Monologues for Men, with playing-age guidance and contrasting rehearsal pairs.
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